Adetayo works two ways that have almost nothing in common. One is digital, drawn fast in scribble over flat fields of violet, red and black. The other is coloured pencil on paper, layered over weeks until the tooth of the sheet stops showing.

The halo keeps coming back in the digital work. Worn, unwound, doubled, and once gripped in a fist. The pencil portraits stay with a single person, close in, and spend colour on two or three things at most.

The digital drawings go out as signed archival prints. The pencil works are one of one on paper, signed on the reverse. Both are sold by enquiry.